A review of Pan’s Labyrinth

Pan's Labyrinth movie graphic

A tree grows in a girl’s mind…

Pan’s Labyrinth (or, it’s original title, “El laberinto del fauno”) is a 2006 foreign fantasy/horror film directed by Guillermo del Toro, and it’s one of my favorite movies. Taking place in 1944, a few years after the Spanish Civil War, the film focuses in on a young girl fighting to cope with many changes and traumas that she has faced and is still facing as the story moves on. This dark fantasy also incorporates the reality of strife in post-Civil War Spain, tying it in with contrasting transitions.

The plot, with as few spoilers as I can manage, is as follows: A young girl named Ofelia moves in with her new stepfather, a ruthless military leader. In an overgrown, dilapidated labyrinth, she encounters a mythical creature – a Faun – who tells her that she is believed to be the princess of a forgotten world. However, she must prove that she is the princess by completing several tasks. But this is truly a dark fantasy, with realism tied in – a subplot involving Spanish rebels, the cruelty of Ofelia’s stepfather, and her mother’s declining health, all running parallel to Ofelia’s alternate world.

At first, it sounded fairly mild. I was lulled into a false sense of security by all this talk of princesses and fairies (although the dark coloration and lighting told me this was no lighthearted film). I admit, I was caught off-guard by the gruesome occurrences in both the reality and fantasy story lines. This really is a movie that can hold your attention, sometimes seizing it when you least expect it.

Pan's Bad Man

C’mon, help me find my contacts…

Full-bodied, detailed SFX makeup create fantastic creature designs, such as the Faun himself or perhaps the most terrifying antagonist, the Pale Man (both of whom are played by Doug Jones, who’s probably been in something else you’ve already seen). As the story progresses, most of the characters become more developed and fascinating, and you will either grow attached to them or hate them – either way, some emotion is invested, which is always a sign of a good character, protagonist and antagonist alike.

All in all, this movie has a captivating plot with subplots intertwined, all of which fall together at the end quite nicely. The final scene is fairly open-ended and can be interpreted to the watchers’ choosing – in short, it could either be a happy ending or a sad ending, depending on how you look at it. As a fantasy, it’s filled with beautiful images and modified versions of classic mythology. As a horror, it lacks the generic guts and gore that many horror fans seek, but it has plenty of little moments that will quench the blood thirst and several that will have you at the edge of your seat.

Little Miss Mad

Little Miss Mad

-@Little_Miss_Mad

Brave New Skulls



Attention, horror fans:

SkullDug Films is adding two new authors to contribute to the LooksDark Blog.  My old evil pal from centuries ago Mr. Seymour Blood and a brand new fiend of mine Little Miss Mad. They will be providing film reviews and short stories so be sure to check in often or just subscribe and get all of our blood before it has a chance to coagulate.  Heh, heh…I said coagulate…I will also be updating all SkullDug productions with behind the scenes peeks and pre-production notes and musings…so if yo like that kind of stuff, be sure to subscribe and share it with anyone else who might be interested – plus, you’ll get sneak peeks at all of our new stuff before it’s released.  Now doesn’t that make you feel special?

JerrySkullDugSmall

Dig the Dark.

 

Hellavator

There’s lots of stories in this ole’ skull of mine.  Quite frankly, too many to produce as media in my lifetime.  So I thought why not just write them down and share them.  So here goes.  Most of my recent writing has been in screenplay format, so going back to the old literature-what-is-the-character-thinking-feeling-etc format is a bit out of my comfort zone.  But hey, I’ve got stories and they got’s to come out so enjoy and bear with me while I get my short story chops back…Oh yeah, I forgot – I’m going to put links to more info throughout the stories and illustrations & perhaps animations (my own, of course) – isn’t it time that literature evolves with the information age?  Perhaps…I’m sure literature purists will wave their arms and accuse me of leading the witnesses…we shall see…let me know what you think…
JerrySkullDug
-SkullDug Jerry
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Hellavator

Elevator2

Frank stood motionless, eyes transfixed on the stainless steel doors.  Waiting.  He watched the numbers count down – 52, 51, 50.  He hated the word – E-L-E-V-A-T-O-R.  It was too symmetrical – same number of consonants as vowels – unnatural.  He had been trapped in an elevator for three hours when he was 7.  The old man he was trapped with spent the time doing unnatural things to him.  That was another word he hated – P-E-D-O-P-H-I-L-E.

He had managed to avoid this moment for nearly 40 years. He took the stairs, good for the heart – at first he would stop every 10 floors, but now he stopped every 5, burning legs, heaving chest.   Wasn’t exercise good for high cholesterol?  Dr. Smith said “you need more cardio, I don’t like these numbers”.  What was that medicine he had refused to take?

As he stared,  dread began to climb up his ankles, his legs, his buttocks and groin.  It slithered over his hips and wound it’s way around his spine.  Sweat trickled down his back. His neck and cheeks flushed.

Karma.  It was karma that had written this comedy of errors.  He had never cheated on his wife.  10 years of marriage, 2 beautiful children.  Straight arrow all the way.  But today he had broken his vows.  The new paralegal was just too willing, too persistent and too hot.  And now, there was Karma, grinning, laughing.  Karma had hired the crew to repaint the stairwells today – stretching that yellow tape across the doorways.  Karma had arranged his first trip in the metal box on a wire – the Otis death trap.  Karma was conducting this horrendous atonal symphony.

Dread was now holding Frank’s head in both hands, jamming it’s tongue down his throat like the paralegal had done 2 hours ago in his office.  He swallowed hard.  Dread was now swirling around in his stomach, making his head spin.  And then “ding! –  the elevator opened it’s jaws wide, an empty stainless steel and faux wood grain crypt.

“Grow up, be a man” he scolded himself.  He mustered every ounce of courage and stepped across the threshold.  He closed his eyes and the doors slid shut behind him.  He was alone in the box.  How many elevator accidents were there every year?

“There, you’re in.  Was that so horrible?”  He opened his eyes and watched the numbers count down. 48, 47, 46, 45, 44, and then BAM! It happened.  First there was a loud pop and then the sound of the cable whipping around in the elevator shaft.  The lights flickered and then went out – plunging the universe into darkness.  Emergency power clacked on and an eerie red light flickered to life – bathing the interior with a hellish glow.  Metal groaned, the floor shuddered and then another “BANG” and the elevator went into free fall.

“I’ll come clean if I survive this” he pleaded in his head.  “I’ll tell her the whole story and we’ll get past it all.  Just let me survive this – please!”  The floor dropped and a sickening weightlessness filled his chest.  A flurry of images swirled in his head – his mother, smiling, sending him alone to the corner grocery, the firm breasts of the paralegal, the horrid grin of the elevator pedophile – thick, dirty fingers unzipping his fly.

His heart pounded in his throat, a lightening bolt of pain radiated through his shoulder and down his arm.  He felt sick.  His stomach spasmed and he vomited.  It hung in the air for few seconds, victim to the same free fall and slowly draped itself across the walls.  The fall seemed to last forever.  How can four stories be such a long trip?

He remembered that someone somewhere said “if you jump just before impact, you will survive“.  He had to time this just right.  He watched the numbers dwindle – 40, 39, 38.  He crouched, ready to spring.  Down, down, the elevator plunged – 30, 29, 28, 27.  Faster and faster, the smell of hot metal and burning paint flooded the chamber. 10, 9, 8, 7, 6, 5, 4.

The pain in his arm intensified and he felt an unbearable weight upon his chest.  He couldn’t breath, he couldn’t move, his arm was on fire, his chest collapsing.  Through a haze he saw the numbers – 3,2,1.  The lights flickered and he tried to jump but his legs buckled.  Suddenly…

…everything stopped.  There was no crash, no twisted metal, no wrenching impact.  The lights flickered and everything was still.  The pain in his arm was gone.  His chest felt light.  His breathing was regular and he had stopped sweating.  He blinked and wiped his eyes.  He was OK.  He had survived.  “Ha!  Karma my ass! I am alive!”  He began to laugh.  He slumped down against the back wall and laughed like a giddy schoolgirl.  The lights flickered again and “ding” the doors opened.

Corridor2

He looked up and smiled.  Through the yawning doors he could see a dark corridor.  It was constructed from quarried stone blocks, each about 2 feet by 3 feet.  They were scarred and stained by centuries of wear.  Torches flickered a faint orange glow, intimidated by the darkness of the corridor.  White objects littered the stone block floor of the corridor.  He squinted and his smile disintegrated.  Is this the sub basement?  The smell of rotted meat and sulfur wafted into the elevator.  He closed his eyes and opened them again.

A dark figure was now standing before him.  Thick gloves covered meaty hands and he was dressed in a heavy coat and loose pants of a stiff fabric that appeared to be coated in soot.  A long, dark object dangled from his left hand and trailed along the floor.  His face was a mystery.  It was as if the area where his face should have been was bending the light around it – an ocular dead spot.  Must be an effect of the fall he thought.

Frank blinked again and rubbed his eyes.  “Hey –  you with the fire department?”  He straightened up and brushed dust from his sport coat.  “Man am I glad to see you!”

Silence.  The figure did not move.

“Boy, I’ve always hated those damn things.  I think I might need some medical assistance – that was quite a fall.”

The figure remained motionless and mute.

“Hell – o!  I said I think I might need some kind of medical check up…”

With a lightening flick of his wrist, the figure whipped the rusted chain through the darkness.  It struck Frank just below his jaw and wound around his neck 3 times.

He tried to scream, but his trachea was crushed by the chain.  He dropped to his knees and grabbed the links that continued to tighten, mangling his airway.  He sputtered and the warm thrill of blood painted his lips.

The figure jerked his arm and dropped his captive prone.  Slowly, the dark stranger began to drag Frank into the darkness of the corridor.

Frank tried to scream, but managed only a gurgle.  His writhing arms and legs disturbed the bits of bone and dried flesh strewn about on the floor.

He watched behind him as the elevator doors slowly closed, devouring all hope.  Above the door, illuminated numbers flickered for a moment – an upside down 4, a backwards 3 and an 11. He heard the breath of his captor rasping – or was it a low, whispered laugh.

elevatorNumbers

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Copyright SkullDugFilms – 2013

 

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Other SkullDug approved stories and poems:

http://www.burialday.com/short-fiction/kelpie

http://www.burialday.com/short-fiction/worm-house#more-630

http://www.eastoftheweb.com/short-stories/horrorindex.html